World-in-Theatre uses a process-oriented approach to theatre-making developed by the late William Teo and his Asia-in-Theatre Research Centre. A hallmark of the company's style is its use of the resources of traditional world theatre (masks, costumes, music, dance) in its productions of world plays performed in English.

Visit: www.world-in-theatre.com; contact: honglin@tp.edu.sg

Reviews of Productions by World-in-Theatre and Asia-In-Theatre Research Centre

2008

Macbeth with Nanyang Academy of Fine Arts (Ng Yi-Sheng)

2007

Mishima: Women in Love by World-in-Theatre (Kenneth Kwok)

2006

Bitter Chocolate by World-in-Theatre (Kenneth Kwok)

2005

Two Women for One Ghost and La Musica (Kenneth Kwok)

2004

The Gospel According to Mark (Kenneth Kwok)

2003

The Royal Hunt of the Sun (Kenneth Kwok)

2002

The Ramayana by Asia-in-Theatre Research Centre (Kenneth Kwok)

2001

Sita by Asia-in-Theatre Research Centre (Kenneth Kwok)

2000

Equus by Asia-in-Theatre Research Centre (Matthew Lyon)
The Painted House by Asia-in-Theatre Research Centre (Matthew Lyon)

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World-in-Theatre

Ratings out of 5, based on Practitioner's Vision / Reviewer's Response: ***** = Transcendent / Rapturous;
**** = Crystal / Appreciative; *** = Transmitted / Thoughtful; ** = Vague / Unsatisfied; * = Uncommunicated / Mystified.